reflection that concern (1) the oratory mission, (2) the call to do the impossible, (3) the mystery of
the Name, (4) maternal mediation and, finally, (5) the power of meekness.
3.1 The oratory mission
The dream at nine years of age is filled with children. They are present from the first to the last
scene and are the beneficiaries of everything that happens. Their presence is characterised by joy
and play, which are typical of their age, but also by disorder and negative behaviours. Therefore, in
this dream at nine years of age, children are not the romantic image of an enchanted age as yet
touched by the evils of the world, nor do they correspond to the postmodern myth of youth as a
stage of spontaneous activity and perpetual willingness to change, which should be preserved in
eternal adolescence. The children of the dream are extraordinarily “real”, both when they appear
with their own physical features and when they are symbolically depicted in the form of animals.
They play and quarrel, have fun laughing and ruin it with swearing, just like in reality. They seem
neither innocent, as spontaneous pedagogy imagines them, nor capable of being their own masters
as Rousseau thought. From the moment they appear, in a “very large yard”, which foreshadows the
large courtyards or playgrounds of future Salesian oratories, they invoke the presence and action of
someone. The impulsive gesture of the dreamer, however, is not the right intervention; the presence
of an Other is necessary.
The appearance of the Christ figure, as we can now openly call him, is intertwined with the vision
of the children. He who in the Gospel said “Let the little children come to me” (Mk 10:14), comes
to show the dreamer the attitude with which the children should be approached and accompanied.
He appears majestic, manly, strong, with traits that clearly highlight his divine and transcendent
nature. His way of acting is marked by confidence and power and manifests full lordship over the
things that take place. The dignified man, however, does not instil fear, but rather brings peace
where before there was confusion and commotion, manifests benevolent understanding in John’s
regard and directs him on a path of gentleness and love.
The reciprocity between these figures – the children on the one hand and the Lord (to whom
the Mother is then added) on the other – defines the contours of the dream. The emotions that
John experiences in the dream experience, the questions he asks, the task he is called to
perform, the future that opens up before him are totally bound to the dialectic between these
two poles. Perhaps the most important message that the dream conveys to him, what he
probably understood first because it was imprinted in his imagination, before even
understanding it in a reflective way, is that those figures refer to each other and that he will
not be able to dissociate them throughout his life. The encounter between the vulnerability of
young people and the power of the Lord, between their need for salvation and his offer of
grace, between their desire for joy and his gift of life must now become the centre of his
thoughts, the place where he finds his identity. The score of his life will be all written in the
key that this generative theme gives him: modulating it in all its harmonic potential will be his
mission, into which he will have to pour all his gifts of nature and grace.
The dynamics of John’s life are therefore portrayed in the dream-vision as a continuous
movement, a spiritual back and forth between the children and the Lord. From the group of
children among whom John zealously throws himself, he must allow himself to be drawn to
the Lord who calls him by name, and then depart from the One who sends him and position
himself, with a completely different style, at the head of his friends. Even though he receives
punches in his dream from some very strong boys, such that he still feels the pain upon
waking up, and even though he hears words from the dignified man that leave him